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The White Rhino Hotel: A Novel, by Bartle Bull
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Historic romance and adventure do not get any better than in this companion novel to the top-selling A Caf� on the Nile. The Great War has ended, tragically for many, but for some, Africa holds the prospect of vast estates, fabulous wealth, and limitless opportunity in this powerful, wonderfully crafted novel of the natural and human perils that await pioneers in a promised land. In colonial Kenya the paths of these new settlers cross at Lord Penfold's White Rhino Hotel. Here they meet the cunning dwarf Olivio Alevado, a man whose lustful desires and vengeful schemes make him a formidable adversary to his enemies and a subtle ally to his friends. Here the destinies of the gypsy adventurer Anton Rider and courageous, war-hardened Gwen Llewelyn intersect. Here hope is corrupted by greed, love by revenge, and loyalty by betrayal as the future is trampled into history. "A wing-ding adventure story.... The kind of book that creates one of the elemental delights of fiction - a complete other world where, unlike our own, all the parts add up to something." - Boston Globe; "A genuine epic centered in Africa, by a writer who knows how to write, who knows his terrain intimately, who knows how to paint his characters convincingly, and who knows how to spin a good yarn." - Forbes Magazine.
- Sales Rank: #132149 in Books
- Color: Multicolor
- Brand: Brand: Carroll n Graf
- Published on: 2000-09-30
- Original language: English
- Number of items: 1
- Dimensions: 1.08" h x 6.05" w x 9.03" l,
- Binding: Paperback
- 404 pages
- Used Book in Good Condition
From Library Journal
Bull ventures into historical fiction with his second book, although the subject matter is the same as his earlier nonfiction work, Safari (Viking, 1988). In addition to providing an interesting look at the nature of life in Kenya at the end of World War I, Bull's novel is a steamy adventure filled with lust, villains, heroes, and antiheroes. The plot focuses on an ensemble of colonists and natives as they struggle to survive in a Kenya opened up to British veterans in 1919. Most of the action centers around Anton Rider, a gypsy from England. The dwarf Olivio Fonseca Alavedo, however, is destined to be one of the most original characters in fiction, as he becomes the very definition of antihero by the end. Historical fiction can be washed up on the rocks of anachronism, but Rhino rings true, including the characterizations of people who lived 70 years ago. This should be an early entry on summer fun reading lists. Highly recommended for public libraries and academic libraries with recreational reading sections.
- Randall L. Schroeder, Augustana Coll. Lib., Rock Island, Ill.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
First fiction, set at the end of WW I, in which a frontier Kenyan hotel provides rest, shelter, and large drinks to a fugitive Gypsy, wounded Tommies, murderous Irishmen, scheming Portuguese colonials, displaced Germans, an American cowboy, and a pretty Welsh woman. Bull's nonfiction Safari (1988) covered some of the same geography. Having sold the bulk of his British estate and mismanaged his plantation ventures, Adam Penfold finds that his fortune has dwindled to the White Rhino, a hotel in the Kenyan highlands. Lord Penfold and his oppressively horsy lady Sissy preside over the place, leaving management to their major-domo Olivio, a dwarf whose spying and sexual skills are state of the art. As there is much to spy out and many itches to scratch, Olivio is a very busy man. The end of the war has brought a new wave of settlers to the colony, hopeful men and women who are about to find out that the rich Kenyan soils are very choosy about what crops they'll support and that the old Kenyan colonials can be as treacherous as the worst villains in Europe. Anton Rider, with his gypsy skills and restless intelligence, is one of the few immigrants truly suited to the whims of Africa. Dashing Anton has become smitten with Gwenn Llewellyn, who has joined her badly crippled husband to carve out a new life and who has already made a couple of very dangerous enemies in a pair of violent Irish brothers. Adam and Gwenn are made for each other, but before they sort things out, there are swamps to ford, savannahs to cross, dalliances to be enjoyed, pythons to wrestle, elephants to cook, and legal business to sort out. Very nicely done. Bull has sensibly resisted the temptation to turn his racy African adventures into a sweeping, gabby epic, so everything moves at a cracking pace. Much ground is covered, but since the time is short, the stories are well contained. -- Copyright �1992, Kirkus Associates, LP. All rights reserved.
About the Author
Fred Williams, a graduate of the London Academy of Music and Dramatic Art, works in theater, film, television, and radio in England, Ireland, and America. Besides narrating audiobooks, he is a performer in living-history reenactments, an archer, and a poet.
Most helpful customer reviews
13 of 13 people found the following review helpful.
Perhaps I should have read this one first . . .
By Stuart W. Mirsky
I came to this book after reading and immensely enjoying its sequel, A CAFE ON THE NILE. Since I like rip-roaring adventures in faraway places, and the sequel proved so enjoyable, I grabbed this one up as soon as I found it in a used bookstore. And it was enjoyable, creating a world for me which constantly drew me back each time I'd put the book down. Yet there was something lacking in this tale of new settlers and broken souls cast up on the shores of British East Africa (the future Kenya). Here were all the characters who play such a significant role in the subsequent book and we get to see how they found their way to become what we later encounter there. The English gypsy boy, Anton Rider, lost and adrift in England will find his moorings in the African bush -- a hunter and adventurer with a touch of the farmer in him. The dwarf from Goa, Olivio Fonseca Alavedo, a man who will gradually change from the cold-hearted schemer who cares for nothing but himself to the cold-hearted schemer who also, by the way, happens to care for a few friends. Gwenn Llywellen, wife of a broken World War I soldier, will endure the wilds of the new country and the sadness of loss while becoming a stronger person. Lord Penfold, hotel proprietor and down and out English gentleman, will sink further into ineffectualness but never, quite, inactivity. And the German ex-soldier, Ernst von Decken, will demonstrate why he can be relied upon despite his cold and ruthless ways. All of these are here in a tale of wandering and land-grabbing and lust in colonial Africa. And yes, there's lots of lust. In fact the sex is rather prominent in this tale, and frequently quite strange. Besides the usual sort, we are treated to Olivio's kinkiness and a brutal rape. And Mr. Bull has a thing for recurring motifs: The twin Somali courtesans here, the "Black Tulips", vs. the sexually assertive and promiscuous American twins in the sequel. Olivio bound and trapped in both books facing imminent destruction through immolation. The loss of a beloved African sidekick in both. I could go on. But suffice it to say that the sexuality has an oddly abstract quality to it (it does not kindle and smolder in the reader's mind as, I think, it should) while Mr. Bull seems to be fixated on a number of recurring motifs and situations. Yet, this said, I must add that while the book did not surprise as I'd hoped, the tale did not keep me guessing, it once again kept me coming back and wanting more of the wild world which Bull portrayed. For a big book, I thought the end rather rushed and almost anti-climactic. And somewhat predictable. But it was an experience to be reading it. (I put several others aside just to see it through.) Perhaps if I'd read this one before its sequel I wouldn't have been so disappointed. But, on balance, I liked the second one better.The King of Vinland's Saga
10 of 10 people found the following review helpful.
Period Details Elevate Wanton, Violent Tale of Colonial Kenya
By Scott Schiefelbein
Bartle Bull's "The White Rhino Hotel" is the first novel in his series of historical fiction about colonial Africa ("A Cafe on the Nile" and "The Devil's Oasis" follow), and "White Rhino" gets the series off to a rip-roaring start.
Starting in 1919 as WWI closes, "White Rhino" follows a varied band of intrepid heroes, trusty sidekicks, and dastardly villains as the British start to assert their control over Kenya. Thanks to British arrogance and a fundamental misunderstanding of Africa, chaos abounds. Fortunes can be made and lost for the daring, the cunning, and the ruthless.
Anton Rider is arguably the "hero" if the tale, and he is a young English gypsy seeking his fortune on the Dark Continent. En route to Africa, he meets Gwenn Llewelyn, the beautiful Welsh ambulance driver who is heading to Kenya to meet her fiance, Alan, who suffers cruelly from his wounds sustained in the British army but still dreams of starting a farming life in Kenya. Adam Penfold is a small-time English lord who thinks he runs the White Rhino Hotel in Kenya, which is the focal point for much of the tale as the local bastion of European civilization. But the hotel is actually run by Olivio Alovedo, Bull's greatest creation, a dwarf majordomo who schemes triumphs and vendettas while having some of the kinkiest sex imaginable.
As the story follows these characters and several others through the struggles to start a new life in Africa, Bull displays a commanding knowledge of the unique pulse of African life. Regardless of whether he's describing a lonely safari far from the trammels of civilization, the smelly optimism on a steamer ship from England to Africa, or the melting pot of various nationalities, agendas, and ambitions of the players in the White Rhino Bar, Bull transports the reader to another time and place with effortless efficiency.
That he peppers his story with copious amounts of sex and violence is a plus, for Bull is spinning a yarn here. Look for sly seductions, profound loves, heart-breaking losses, and above it all, sudden swift death that can reach out for anyone at any time. The pages will fly by as you get deeper and deeper into Bull's world, and you care more and more for his rag-tag bunch of misfits and explorers.
The only reason that I don't give "White Rhino" five stars is that I want to distinguish it from "A Cafe on the Nile," which is in the same vein as "White Rhino," but is an even more epic and enjoyable read.
10 of 10 people found the following review helpful.
Finest kind of escapist reading, woo hoo!
By KatPanama
I recently have blown through a quartet of novels by a writer with the unlikely name of Bartle Bull (he's said to be a former publisher of the Village Voice). The politically incorrect but somewhat historically accurate novels set mostly in Africa in the 1918-1943 timeline are quite a delight, assuming one goes for African Adventure and I do, boy howdy. These novels are fun, intriguing and semi informative. And, they're about AFRICA.
For those largely ignorant (as was I) of the Italian invasion of Abysinia (aka Ethiopia) in the mid-Thirties, Cafe on the Nile is especially interesting.
The White Rhino Hotel
A Cafe on the Nile
The Devil's Oasis
Shanghai Station. OK, so it's not Africa; it's Shanghai. Sue me, do.
Finest kind of light reading, perfect for escapist holidays, beach reading, flight numbing and generally out-of-the-loop fare. To be enjoyed.
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